CELEBIRONY    the ironic world of celebrities
Top       Set CelebIrony as homepage
Women
   actresses
   singers
   athletes
   models
   showgirls

Men
   actors
   singers
   athletes
   models
   calendars

Singers
Adam Gaynor
Adriano Celentano
Adriano Pappalardo
Al Bano Carrisi
Al Jarreau
Alan Sorrenti
Alberto Fortis
Aleandro Baldi
Alejandro Sanz
Alessandro Errico

Partners
   Neuromu..
   1000�..
   Celebri..
   Celebri..

Add link
All partners

Rubettes


 

Español Français Deutsch Italiano

Biography
Formed in 1973 in England, the Rubettes were originally organized as a session outfit by Wayne Bickerton of Polydor A&R. Inspired by the successes of Sha Na Na, Mud, and Showaddywaddy, they combined glam rock presentation (red and white suits with matching caps) with a rock & roll revival sound. Their first release, 1974's "Sugar Baby Love," was an instant smash, remaining at #1 in England for five weeks while denting the U.S. charts at #37 in August, and remains their best-known record. Subsequent releases would be less successful, but the band soldiered on and continued to tour on the nostalgia circuit well into the 2000s.



The Rubettes' original lineup featured John Richardson on drums, Mick Clarke on bass, Bill Hurd and Peter Arnesen on keyboards, and Terry Thorpe on guitar. Vocalist Paul DaVinci left the band just before "Sugar Baby Love," replaced by Alan Williams. Their name, like their music, was selected to consciously tap into 1950s America iconography, and the revival sound bore fruit in the U.K. on several more singles: The "Sugar Baby Love" soundalike "Tonight" was a strong followup, and "Jukebox Jive" and "I Can Do It" went Top 10 there as well. None charted in the States, though, and the band, which had evolved from prefab status to full-fledged band, moved from glammy nostalgia into more serious territory. They turned many a head with 1976's "Under One Roof," a sensitive portrayal of a gay man disowned by, and later murdered by, his father; along with Rod Stewart's "The Killing of Georgie," it was one of very few songs tackling the difficult topic of homophobia. Some at the time speculated that the song had been designed to be so uncommercial as to get the band dropped from their label. If so, it worked all too well, as the Rubettes soon fell silent in the face of dwindling success. Arnesen left that year, followed soon after by Hurd, and by 1979 the group was history. In 1983, though, at the urging of a German promoter, Williams reformed the band for festival shows. Redubbed The Rubettes featuring Alan Williams to counteract other acts passing themselves off as the Rubettes, the reconstituted unit continued to tour Europe in oldies revival packages intermittently into the 2000s, original members Richarson and Clarke in the fold along with ex-Kinks keyboardist Mark Haley.

 

 



Newsletter
Get a free monthly email with all the latest celeb news and gossip.
Enter your email

CelebIrony.com ® Copyright 2005 - 2009
Legal notes