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Niccolo Fabi


 

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Biography
"In the formation novel that is music of Niccolò Fabi, the songs therefore are closely connected to its life to form nearly a indiscindibile continuum. Nearly that every brano ideally represents a life year, a thought fragment, one discovered ribadire or on which stopping itself. And the same life becomes in bottom one long song. The other great song of Niccolò Fabi. Because therefore it is the life of an artist. And this time, for before the time in its life, also being with Serene to the west arrived Niccolò to its third album, after the Giardiniere (1997) and omonimo the Niccolò Fabi(1999) is the same Niccolò to tell some is made of its life, as they were strofe of one the song.
""they are been born 16 May of 1968. From the moment that my father has been one of the most active and important producers of years ' 70, thanks to he I have been able to attend the musical atmosphere since I had six years. I have seen the historical concerts of the Pfm. I have assisted to the recordings of many discs; discs that were born in a period in which various freedom was one and a various criterion of radiotelephony. Therefore I have learned a lot on the production of a disc, on all those elements that to the inside of a microcosm that is the song can render it large or definitively to destroy it. Because in a sure sense the production, the agreement and the recording represent of the continuous dangers of removal from that pure emotion that is always to the base of the writing.
I have begun from years ' 80: from the fact that they have grown in that decade and therefore with a various type of taste. In fact I have always appreciated also the escape, the entertainment. Never they have not been fascinated from the political engagement in the song. The experience with my father who memory with greater force has been the tournée in the 86 with to Alberto Fortis where I made the theater box assistant. E' be coming to an agreement those guitars that I have perceived the cleanest feeling that if I had not tried anch' a day to go on a theater box I would have maintained the acute sense of frustration for all the rest of my life "".
""mine first songs have arrived around to the thirteen and fourteen years. Before I have begun like then bassista drummer and, even in a group funky. It has been also a meaningful interval in a cover band like the Fall Out in which we made the pieces of the Police alone. From the 19 years I have tried to play in the several clubs the songs. One what in truth who turned out difficult somewhat. But they have been the point of encounter of all my generation: from who he sang to the festivities, until what he sang in the weddings. E' be however a live activity that has helped me to acquire one greater knowledge on the theater box.
I have begun to play and to sing my songs because I have always felt the necessity to assume the responsibility to me in first person of what I would have made; I have not never tried the group like defense instrument. In this search probably always they have been a hermit. In practical I have always known that the schiaffi I would have taken all to them alone "".
""the first musical listenings that memory were an alternation of classic music and Pfm. Then me are in love of the fascination that can be found again to times behind sure persons. The things that touch me more me arrive through the persons, when I perceive that person exists an other universe behind one who me incuriosisce. Task to the universe that exists behind music of James Taylor, of Sting. With the time I have also uncovered artists like Jony Mitchell, Ricky Lee Jones. But those cantautrici like Jonata Brooke, Tracy Chapman, Alanis Morrisette or the universe said also all that could are to us behind an artist like Jeff Buckley or Duncan Sheik, but even behind the work of like Robert Smith of the Cures. To the end of this distance I recognize in me a sensibility much feminine one, also in the way to tell the things, like a sweet aggressiveness that often in the men finds in ways many more uniforms. It has always attracted that aspect to me of fragile joined sensibility to the pants, to the paternal being "".
The great change in the life of Niccolò Fabi happens in 1996 when company its first contract with the Virgin, tutt' hour its puts into effect them record house. Its first apparition in Virgin house happens with the single one Says, in August of the ' 96 In the November of the same year Sanremo wins Young and qualification for the Young edition 1997 Section where it introduces the brano Hats with which adjudicates the Prize of the Critic. With the first album the Giardiniere catches up, thanks to beyond 100.000 copies sold, the platinum disc. The successive year, 1998, it participates once again to Sanremo, in the category big with the piece To let a day to Rome that it will subsequently meet in its second album Niccolò Fabi, disc that between the other things contains others the two hit singles like Wind of summer sung in brace with Max Gazzè and badly smaller one, cover from a brano of Duncan Sheik that originally entitled Barely Breathing; with of elements that it will yield the gold disc. According to album that sees to the great suit one driven in formation of collaborators like, beyond to already cited Gazzè, Riccardo and Daniel Sinigallia, Cecilia Dazzi, Frankie Hi-nrg. Tendency to the collaboration that with its third Serene album to the west comes completely ribaltata. In order to preprefer instead a speech of absolute reflected incontaminato expressive transparency and inner. The impegnativo disc of its career. That more matured, but also that more gotten passionate where the divertimento to record to own house the skeleton carrying of all the brani has represented one exceptional stimulus for the same creation. A album where the maniacale observation of if same catches up tones of absolute atmospheric trasfigurazione. A disc that exalts and introduces to its best the refined one and chasing musical sensibility of Niccolò Fabi.

 

 



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