Jerry Lewis was born Joseph Levitch on March 16, 1926, in Newark, New Jersey. His parents, Rae and Danny Lewis, were professionals in the entertainment world. Jerry's father was the "total entertainer," his mother played piano at New York City radio station WOR, made musical arrangements, and was her husband's musical director.

Jerry Lewis and his When only five years old Jerry made his debut in New York's Borscht Circuit singing "Brother, Can You Spare A Dime?" By the time he was fifteen, he had perfected a comic routine, miming and silently mouthing lyrics of operatic and popular songs to a phonograph located off-stage. This was known as his "Record Act".

Dressed in a drape jacket and pegged pants, Jerry braved the offices of booking agents. When he finally got a booking it was at a burlesque house in Buffalo, but this hardly proved to be his big break... ready to give up in discouragement, he was advised to continue his career by a veteran burlesque comedian, Max Coleman, who had worked with Jerry's father years before. When Lewis tried out his mime act at Brown's Hotel in Loch Sheldrake, New York, the following

r... the audience was so enthusiastic that Irving Kaye, a Borscht Circuit comedian, helped the youth get further bookings. Kaye remains very close to Jerry to this day.

Dean Martin & Jerry Lewis On July 25, 1946, Jerry began a show business partnership with Dean Martin, an association that would soon skyrocket both to fame. It started when Jerry was performing at the 500 Club in Atlantic City and one of the other entertainers quit suddenly. Lewis, who had worked with Martin at the Glass Hat in New York City, suggested Dean as a replacement. At first they worked separately, but then ad-libbed together, improvising insults and jokes, squirting seltzer water, hurling bunches of celery and exuding general zaniness. In less than eighteen weeks their salaries soared from $250.00 a week to $5,000.00.

When the motion picture producer Hal Wallis watched the two perform at the Copacabana in New York City, he offered them a contract with Paramount Pictures. Of their first film, "My Friend Irma" (1949), Bosley Crowther of the New York Times wrote: "We could go along with the laughs which were fetched by a new mad comedian, Jerry Lewis by name. This freakishly built and acting young man, who has been seen in nightclubs hereabouts with a collar-ad partner, Dean Martin, has a genuine comic quality. The swift eccentricity of his movements, the harrowing features of his face, and the squeak of his vocal protestations... have flair. His idiocy constitutes the burlesque of an idiot, which is something else again. He's the funniest thing in the picture".

For ten years Martin and Lewis sandwiched sixteen money making films between nightclub engagements, personal appearances, recording sessions, radio shows, and television bookings. Their last film together was "Hollywood or Bust" (1956). On July 25th of that year the two made their last nightclub appearance together at the Copacabana, exactly ten years to the day since they became a team.

Jerry Lewis Productions, Inc. From then on, Jerry Lewis was constantly on the move. His film career skyrocketed, and he recorded several records and albums; one of them "Rock-A-Bye Your Baby with a Dixie Melody", released by Decca Records, has sold nearly four million copies to date. With increased confidence, Lewis plunged into screen writing, directing, producing as well as acting.

acting young man, who has been seen in nightclubs hereabouts with a collar-ad partner, Dean Martin, has a genuine comic quality. The swift eccentricity of his movements, the harrowing features of his face, and the squeak of his vocal protestations... have flair. His idiocy constitutes the burlesque of an idiot, which is something else again. He's the funniest thing in the picture".

For ten years Martin and Lewis sandwiched sixteen money making films between nightclub engagements, personal appearances, recording sessions, radio shows, and television bookings. Their last film together was "Hollywood or Bust" (1956). On July 25th of that year the two made their last nightclub appearance together at the Copacabana, exactly ten years to the day since they became a team.

Jerry Lewis Productions, Inc. From then on, Jerry Lewis was constantly on the move. His film career skyrocketed, and he recorded several records and albums; one of them "Rock-A-Bye Your Baby with a Dixie Melody", released by Decca Records, has sold nearly four million copies to date. With increased confidence, Lewis plunged into screen writing, directing, producing as well as acting. In the spring of 1959, a contract between Paramount Pictures and Jerry Lewis Productions was signed specifying a payment of $10 million plus 60% of the profits for 14 films over a seven year period... at that time the biggest single transaction in film history for the exclusive services of one star.

One of Jerry's lifetime loves is the game of baseball. During the 1950's and 60's Jerry played first base with numerous professional baseball teams and trained every year with the Los Angeles Dodgers. Gil Hodges especially became one of his very close friends.

In 1965 Jerry moved to Columbia Pictures where he produced, directed and starred in "Three On A Couch"... he then wrote, produced, directed and starred in "The Big Mouth" and "Don't Raise the Bridge, Lower the River." His next project was to direct Peter Lawford and Sammy Davis, Jr. in "One More Time" (a sequel to "Salt and Pepper") in England for United Artists before moving to Warner Bros. to star, produce and direct "Which Way To The Front?".

In 1967 Jerry became a professor at the University of Southern California, where he taught graduate students a course in film direction. "The Total Film-Maker", based on recordings of 480 hours of his classroom lectures, was edited by Jerry and published by Random House in 1971. The USC library also houses an extensive collection of Jerry's original documents relating to motion picture production.

A fact not widely known in the United States is that Jerry has won the Best Director of the Year award eight times in Europe since 1960; three in France, and one each in Italy, Belgium, Germany, Spain and the Netherlands. When "Hardly Working" opened in Paris, the marquee on the Champs Elysees simply read "JERRY". No further explanation was necessary for Jerry's French fans. The French film critic, Robert Benayoun, wrote: "I consider Jerry Lewis, since the death of Buster Keaton, to be the foremost comic artist of the time. He corresponds to his era both reflecting and criticising our civilization." The French director, Jean-Luc Godard, said: "Jerry Lewis is the only American director who has made progressive films, he is much better than Chaplin and Keaton."

The Times of London stated: "Quite apart from his gifts