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Carola Smit
| Biography |
Paul Myron Anthony Linebarger, more known in the world of the science fiction under the name of Cordwainer Smith, is the author of a single or almost and, at the same time, immense work, "the lords of Instrumentalité". In this fresco of the future which covers nearly 15 000 years as from the third millenium describes in a poetic and limpid way, the history of a humanity and the sometimes astonishing under-humanities, directed with benevolence, but firmness by beings with extraordinary longevity, the lords of Instrumentalité. Some could say that to write such a powerful work, which so extremely speaks in the heart about the readers all while being freed from the usual constraints from the SF, it was necessary that the author is one of these lords come from the future to bring some keys to us to allow our painful humanity to reach the promised serenity of Instrumentalité. As often while returning to less adventurous assumptions, one will be able to find in the biography of Paul Linebarger of the elements which give lightings on its work. Paul Myron Anthony Linebarger was born on July 11, 1911 in Milwaukee in Wisconsin. He owes his birth on the American ground to his father, Paul Myron Wentworth Linebarger, who, although detached under his functions of diplomat abroad, wished that his/her son be born in the United States so that he preserves the possibility of postulating with the presidency of his country. This honourable prudence did not start at Paul an irresistible passion for the policy and the list of the American presidents since the middle of the century assure well us his absence at this station. Its childhood proceeds mainly abroad, and in particular in China, where his/her father is the adviser and the biographer of the leader Sun Yat-SEN who deviendre the godfather of the Paul young person to that it will allot the Chinese name of Flax Bah-Loh (forest of the incandescent happiness). To the liking of the assignments of his father, it follows the primary school to Hawaii, then the courses of British Cathedral School in Shangai, before continuing in Oberealschule of Baden-Baden and returning to Kaiser Willhem Scool in Shangai. Of its ceaseless changes, it will keep a great capacity of adaptation, in spite of a a little introverted character, and a gift for the languages, it speaks 6 languages of which of course Chinese. It visits Russia, spends a time to Japan, discovers France during its adolescence and thus acquires a rare food product, the intimate knowledge of two cultures, the Western one and the Eastern one. 5 years after its birth, it is joined by a brother, Wentworth; a notable fact of its childhood relates to an accident which deprives it of the use of an eye and which will be a quasi-permanent source of troubles and suffering all its life. In China with his/her Wentworth brother, towards 1918-1919 Paul Linebarger in 1933 A 20 years, it takes down its baccalaureat at the university George Washington and in 1936 becomes Doctor of political sciences at the university John Hopkins. The same year, September 7, it marries Margaret Snow. During these studies, it ensures the secretariat of its father concerning the book that this last writes on Sun Yat-SEN and in 1937, it does itself to appear a book on the doctrines policy of Sun Yat-SEN. After a passage as teacher in Harvard, it takes a station of teaching of political sciences at the Duke university where it will remain as professor assisting until 1946. During all these years, the science fiction has already a place in its life; At fifteen years, its news "War N° 81 Q" appears in the review of its school "The adjutant" under the pseudonym of Karloman Junghar and will find its place later on in the cycle of Instrumentalité. However its first publication in a review devoted to the science fiction goes back to 1950 with "Scanners live in vain" written nearly 5 years earlier. Although of fragile health, it is useful in the army during all the Second World War and becomes a specialist in the psychological warfare. For this reason, it will be sent in China where it ensures the coordination of the activities in this field of the Anglo-American and Chinese armies. At the end of the war, he is a Major and will become colonel of reserve. In 1942 his/her daughter Rosana (Johanna Lesley) nait, then in 1947 a second girl Marchia Christine. Rosana describes his/her father like a loving, attentive and clearly unusual father. His/her parents divorce in 1949 and Paul remarie Genevieve Collins 20 the Mars 1950. Rosana and its sister raised by their mother will benefit from their father only for periods of holidays which will be thanks to its talent of storyteller of the unforgettable moments; She remembers in particular this voyage to Mexico in 1951, during which, with a terrifying imagination Paul developed the topics of the suffering and cruelty in the human being. Rosana and its father Paul These topics which evoke Rosana find in all work SF of Cordwainer Smith, at the same time like one throbbing recall of its own suffering, but especially because their presences make it possible to the author to expose his strong compassion which, in spite of the brutality of the facts that it tells, gives to all its writings one will have tenderness which returns to us better while reading it. In 1948, whereas he is a professor of Asian political sciences with John Hopkins, he publishes his main work "professional" entitled "Psychological warfare", which will make authority during long years and which will be worth to him to be requested with many recoveries; he will advise, for example, the British forces in Malaysia or the US 8eme armed in Korea. Its experiment will lead it to be one of the advisers of JF Kennedy for the foreign politics. However it will be able to avoid the blindness by considering that the intervention in Vietnam is an error. Before coming to its period SF, let us note that it publishes a spy novel "Atomsk" in 1941 and two novels not SF "Carola" and "Ria". It then uses the pseudonym of Carmichael Smith which one can see the quasi-similarity with that of Cordwainer as that of Felix C Forrest which is not without relationship with the amčricaine translation of its Chinese nickname. I do not know the origin of his choices of pseudonyms and if somebody knows them, that it does not hesitate with us the statement over listes.sf@xanadoo.fr, but on the other hand, it is obvious that the choice to write under pseudonyms belongs to a will deliberated not to have to answer the possible fans. And of the fans, it acquires some as of its first text SF published in 1950, which declare that "Scanners live in vain" is the text most inventive and palpitating ever written. Even if it is necessary to moderate the judgements of fans, particularly in the field of the science fiction, it does not remain about it less than continuations and than will have to be waited until October 1955 will ardently be claimed so that one 2nd text appears in Galaxy., then again 18 months for 3rd. This rate/rhythm of publication is astonishing if one knows that a great number of its news are written several years before their publication, however two factors can explain it: firstly this taste of the secrecy which does not push it to be proposed and secondly, in way can be simpler still, the lack of time taking into account its many and undoubtedly very fascinating displacements. His/her daughter indicates that it learned only after her death that he was probably a member of the CIA and that he had played a significant role for all the period of the cold war. The production of Cordwainer Smith is thus rare and it is after its death that a work of regrouping will be undertaken. This setting forms some however corresponds to the real will of the author, it existed a report card, from now on mythical since lost, in which Paul Linebarger wove the bonds that it intended to create in his work. Paul and Genevieve, little time after their marriage One of the key elements of the comprehension of the work of C Smith is the knowledge of the religious advance of its author. Indeed under the influence of an education mixed in terms of references, Paul laid out of a thorough knowledge several religions and in particular of the catholic religion which it will embrace really only about the middle of the Forties insofar as his/her own parents are obviously not practise of an unspecified religion. Its marriage with Genevieve, practising catholic, confronts it with the thorny question of the remariage divorced, question which they solve sets by joining the church épiscopalienne. They will practise with constancy and will post a real faith throughout their common life. One finds in the work of Cordwainer Smith the permanent presence of God, creator of the men and all things on the ground, which in a certain manner brings back the lords of Instrumentalité to a real humanity; they are human beings with the capacities certainly exceptional, but they are not gods. During the Fifties and Sixties, it traverses with his wife the sphere, in spite of a fragile health, which does not nail it in a bed, but strongly handicaps it. It discovers Australia for which it begins passion at the point to decide to make its country of retirement of them. Unfortunately it does not carry out its dream since it succumbs Saturdays August 6, 1966 to the hospital Johns Hopkins of Baltimore of the continuations of a cardiac attack that its fragile constitution prevents it from surmounting. The funerary service is held in Fort Myer and it is buried in the national cemetery of Arlington. Genevieve will finish the drafting of texts of the cycle of Instrumentalité, and it is only after its death that an attempt at ordered edition starts. In France, it will be necessary to await the work of Jacques Goimard at Presses Pocket to have the totality of the texts concerned with the lords of Instrumentalité, in 6 volumes. The tomb pîerre of Paul Myron Anthony Linebarger with the cemetery of Arlington With its unfinished work, with the imposing breath, mixing the Chinese narratives techniques and the linguistic, historical references or the most subtle arts persons, Cordwainer Smith leaves us a poetic work where the human one is a moral being for which cruelty is not sadism, but the translation of a rigid and bureaucratic moral code. In conclusion, a human society can survive only if the individual and spiritual needs for its members are proposed. |
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