A sweet-faced, soft-voiced actress who made a name for herself in during the mid-1980s, Meg Tilly is the very antithesis of a star, shunning the spotlight as much as possible.
Meg Tilly was born on Valentine’s Day in 1960 and was raised on Texada Island, British Columbia. Her mother Patricia was a teacher and former stage actress, and inspired Meg and her sister Jennifer to pursue artistic endeavours.
Meg initially began training as a dancer at the age of 12 and quickly showed a great deal of natural talent. At the age of 17 she joined the Connecticut Ballet Company and later became part of the internationally touring evolutionary ballet group, the Throne Dance Company. Her aspiration to make a career out of dancing was brought to an end very suddenly when she seriously injured her back. Her dancing abilities and connection with the Throne Dance Company led to her first film role, as one of the many background dancers in the classic dance movie Fame (1980).
With the experience of shooting Fame, Meg decided to pursue an acting career. She was next cast in a 1981 TV movie entitled The Trouble With Grandpa and appeared in an episode of the popular series Hill Street
s.
Aside from the hooker she played in the Hill Street Blues episode, Meg was being cast mostly as the innocent girl-next-door character. In 1982, she appeared as Matt Dillon’s love interest in the heart-warming drama Tex, and was cast in Psycho II (1983), as a kind waitress who unwisely befriends Anthony Perkins’ Norman Bates, who has been recently rehabilitated from a mental hospital.
Her biggest break came in Lawrence Kasdan’s beloved yuppie classic The Big Chill (1983). Meg had a small role as Chloe, Kevin Costner’s much-younger girlfriend, amid the impressive ensemble cast that included Kevin Kline, Glenn Close, William Hurt, and Jeff Goldblum. As with many of her roles, Meg was able to incorporate some dancing into her scenes as Chloe.
While filming The Big Chill, Meg married Tim Zinneman, who had acted as producer on Tex. Over the next six years, Meg would give birth to two children. A not-so-welcome result from The Big Chill was that it brought Meg to the public’s attention. Much to her discomfort her picture began appearing in magazines and newspapers.
Perhaps in response, she followed up the critical acclaim of The Big Chill with two unflattering starring roles. One in a trashy sci-fi horror movie called One Dark Night (1983) and the other in an erotic sci-fi thriller entitled Impulse (1984), which was produced by Meg’s new husband, Tim Zinneman.
Also in 1984, Meg was cast in Milos Forman’s Amadeus (1984), as Costanza, Mozart’s young wife, but suffered a torn ligament in her leg the day before shooting began forcing her to pull out of the project. The role went to actress Elizabeth Berridge instead.
In 1986 Meg won the Golden Globe for Best Supporting Actress and was nominated for the Best Supporting Actress Academy Award in Norman Jewison’s Agnes of God (1985). Her performance as a fragile, naïve nun accused of murdering her newborn baby (she claims it was a virgin birth), was hailed by critics. Anne Bancroft and Jane Fonda also starred in the film.
Meg found herself extremely uncomfortable with all the attention the film’s success and her award-winning work brought to her, and she continued to learn how to keep her personal life out of the public eye.
She next appeared in the comedy Off Beat (1986), opposite Judge Reinhold, as a sweet but feisty female cop, a character critic Roger Ebert considered to be “10 to 20 times m
s. One in a trashy sci-fi horror movie called One Dark Night (1983) and the other in an erotic sci-fi thriller entitled Impulse (1984), which was produced by Meg’s new husband, Tim Zinneman.
Also in 1984, Meg was cast in Milos Forman’s Amadeus (1984), as Costanza, Mozart’s young wife, but suffered a torn ligament in her leg the day before shooting began forcing her to pull out of the project. The role went to actress Elizabeth Berridge instead.
In 1986 Meg won the Golden Globe for Best Supporting Actress and was nominated for the Best Supporting Actress Academy Award in Norman Jewison’s Agnes of God (1985). Her performance as a fragile, naïve nun accused of murdering her newborn baby (she claims it was a virgin birth), was hailed by critics. Anne Bancroft and Jane Fonda also starred in the film.
Meg found herself extremely uncomfortable with all the attention the film’s success and her award-winning work brought to her, and she continued to learn how to keep her personal life out of the public eye.
She next appeared in the comedy Off Beat (1986), opposite Judge Reinhold, as a sweet but feisty female cop, a character critic Roger Ebert considered to be “10 to 20 times more interesting” than the dreamy nun she played in Agnes of God.
After Off Beat, Meg took some time off, next starring in the thriller Masquerade (1988), as an orphaned millionairess. The film and Meg received some good reviews, which went a long way to cementing her reputation as a talented actress. Next came The Girl In a Swing (1988), in which Meg played the enigmatic woman the main character becomes obsessed with. It is a performance described as mesmerizing and intoxicating, though the film barely registered with audiences.
As compensation from the producers for recasting her part in Amadeus, Meg was promised a role in Valmont (1989), as Mademoiselle Tourvel. Valmont was Milos Forman’s adaptation of the book Les Liasion Dangereuses, but it paled in comparison to 1988’s Dangerous Liasons, which had been directed by Stephen Frears. Valmont also failed to be the critical darling and award-winner that Amadeus had been and was largely seen as a disappointment.
Having divorced Tim Zinneman in 1988, Meg fell in love on-set once again, this time with her Valmont co-star, English actor Colin Firth. Their relationship would produce a third child for her.
In 1990, Meg played a young mother in the TV movie In the Best Interest of the Child, appeared in the Jack Nicholson-directed Chinatown sequel The Two Jakes as Harvey Keitel’s wife, and in Carmilla as yet another mysterious woman, who may or may not be human.
Her next endeavour was Leaving Normal (1991), which co-starred Christine Lahti. Meg played Marianne, a sad, wounded soul who is fleeing her abusive marriage. On the way she meets Darly (Christine Lahti) who is bold and brassy, and together they set out on a cross-country road trip to Alaska. Leaving Normal was a Thelma and Louise type buddy flick, but suffered countless (unflattering) comparisons to Thelma and Louise which had been released a year earlier.
Abel Ferrara’s Body Snatchers (1993) followed. Meg played the stepmother of Gabrielle Anwar’s central character, in a family who moves to an army base that is being subtly taken over by aliens. Meg is the first of the main characters to have her body snatched.
For a short time in the early ‘90s, Meg returned to television, appearing in an episode of Fallen Angels and on the Canadian drama Road to Avonlea.
The following year, Meg landed a role on the short-lived soap opera Winnetka R
