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Isabelle Adjani
| Biography |
Isabelle Adjani is been born to Paris from Algerian father and the 27 German mother June of 1955. From this vituous concoction of razze its extraordinary beauty has had therefore origin, fruit of a rare fisiognomico equilibrium, to half between sexiness and grace, purity and malizia. Not to case, it has been the preprefer attrice of many directors of cult who have always attributed ambiguous roles to them and of thickness, far away from the stereotype of the "beautiful statuina" that many other attrici of equal beauty have been pleased to carry out. It has begun to recite the young in teatrali productions and has toed make one's debut in an equally juvenile age on the set cinematographic, in particular with the film "the petit baigneur", than the ritrae still sour but already of luminous and perhaps also alarming fascination. In 1972 it enters to make part of the "Comédie Francaise", historical and intellectual French teatrale company. In effects, the Adjani always has been characterized like attrice from the never accidental choices and of quality, always trying to work with highly qualified directors. An example to preclare is represented from its collaboration with Truffaut, to which happening must its true cinematographic one when, in 1975, "Adele H." exits, a romantica history of love, centralized on the figure of Adéle Hugo and the vicissitudes narrated in its per diem ones, discoveries in the 1955 from Frances Vernor Guille. In the film it is Adéle Hugo daughter of great French writer Victor Hugo, disembarked to Halifax (Canadian port of Nova Scotia), in order to find again a its passed love, Pinson lieutenant, dishonourable and mediocre man whom not of more knowledge wants than she. But Adele review, not trying in any case to convince the lieutenant to marry it, folding themselves to more cooking the umiliazioni. When Pinson leaves for Barbados, Adèle follows it: by now it is driven crazy and object of the scherno is gone around like a ghost for the roads of the island, made general. Insomma, a far from easy role that has given way to the French attrice to demonstrate to all its dramatic qualities. Truffaut, in fact, constructs the film on the centralità of the face and the body of Isabelle Adjani, that the intensity of its imbronciata and dumbfound expression confers to the personage of Adèle all, from eternal adolescent who challenge the world. The protagonist dominates incontrastata the scene, and the other personages become appeared faded lacking in psychological consistency, simple ghosts of its obsession. Even if for this Isabelle interpretation he has not received relief prizes, later on has had nomination to the Oscar like the better attrice protagonist for "Camille Claudel" (1988). Isabelle Adjani is a person much classified one and that it does not love the mondanità at all: it is rarest to see it to appear to some festivity or on some tabloid scandalistico. For this reason, it is also difficult to know veritieri reports approximately its true ones or presumed love history. One what but is sure: the beautiful Isabelle I have had one burrascosa history of love with the tenebrous Daniel Day Lewis, one of the most loved sex symbol of oltremanica, from which it has had a son. In 2000, after 17 years of Isabelle absence, directed from Alfredo Arias, it is returned to recite to theatre in the struggenti cloth of Marguerite Gautier, celeberrima "the mrs. of the camelias", already heroin protagonist of the "Traviata" of Giuseppe Greens and of omonimo the novel of Dumas son. |
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