Tim Burton must have seen in its eyes the natural heir of Winona Ryder. with wriggles of madness to the Christina Curly inasmuch as it has chosen it for its last job, Big Fish. And perhaps to case the debut of Alison Lohman to the cinema has not been - not soon: to nineteen years - with a film that would be piaciuto to And Wood: the ineffabile Kraa! The Sea Monster, in the part of a telepathic child who communicates with the turn monster. Or perhaps it is only because the fantastic history is its preferred film. Insomma, a casting appropriated for a immaginifica history (draft from a novel Daniel Wallace) in which Alison it will interpret nienterneno that Jessica Lange from young person (in cast also the Albert Finney, Ewan McGregor, Danny DeVito, Steve Buscemi, Billy Crudup). Of the rest, the great challenges, in spite of the disarmed aspect and the look a po' sad, seem not to scare it. It has not begun late to recite. And to sing: it is one "accomplished singer", one singer test-tube. To nine years it has trod the theater box in the role of Gretyl, one of the children of All entirety passionately and to eleven it has gained a prize for its

in the Annie musical comedies. And hour dreams a remake of Footloose in order to express itself $R-al.meglio. The Lohman comes from more the classic iter than adolescenziali films, some skis-fi and others thriller(Il thirteenth plan, or commedia Guardo, us task and is born, with Bridget Fonda and Campbell Scott) and from one sure popolarità due to some television role: like guest star in Lìfe Harbor and protagonist in sitcom the Tucker and the Pasadena series, directed, between the others, also from It gives of it Keaton. In the Tv movie Sharing the Secret, intense first part: she is a student who suffers from bulimia, to flank of Gives of it Ladd. A test that assures them the sympathy of the great public of the adolescents and them smooths the road for the role in White Oleander, where its name on the head titles them anticipates those of Robin Wright Penn, Michelle Pfeiffer and Renée Zelweger. The personage of Astrid, the sensitive and intelligent child who free laboriously of a too much sure mother of himself, to them seems sewn I lean. Then one transforms more times, from child to woman: it changes apparel, cuts hats alone, one makes up, it decolorates the sopracciglia, it is dyed of black, it puts orecchini dark in opposition the mother, "beautifulst and vichínga". It very well holds the scene in the final comparison with the Pfeiffer, those fixed eyes and gives pain to you from former abandoned child that it has become adult. And then, the found again daughter and perfect accomplice of Nicolas Cage in the genius of the swindle: a personage (and an interpretation) copied with the paper coal from that one of Tatum O' Neal in Paper Moon di Peter Bogdanovich: same tenderness and cleverness with, same ready eyes to cry a moment and to shine of joy that one after.

is dyed of black, it puts orecchini dark in opposition the mother, "beautifulst and vichínga". It very well holds the scene in the final comparison with the Pfeiffer, those fixed eyes and gives pain to you from former abandoned child that it has become adult. And then, the found again daughter and perfect accomplice of Nicolas Cage in the genius of the swindle: a personage (and an interpretation) copied with the paper coal from that one of Tatum O' Neal in Paper Moon di Peter Bogdanovich: same tenderness and cleverness with, same ready eyes to cry a moment and to shine of joy that one after.